FICTION

Lies We Tell Ourselves

384p. ebook available. Harlequin Teen. Oct. 2014. Tr $17.99. ISBN 9780373211333.
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Gr 9 Up—As seniors in Jefferson High School's class of 1959, Sarah Dunbar and Linda Hairston have much in common. Both are strong-willed and smart. Both love to sing. Both are desperate to break out of the mold society prescribes for young ladies. Yet despite their similarities, the teens stand on opposite sides of the school integration debate. Sarah is one of eight black students selected to integrate the all-white high school. Linda hates the turmoil these students have caused in her community and truly believes the pro-segregation editorials her father writes for the local newspaper. But when they are forced to work together on a school project, Sarah and Linda slowly learn to respect each other and—eventually—become friends, and then something more. Set in Virginia, this well-paced, engrossing story features strong female characters living in the height of the Civil Rights Movement. Each chapter title is a "lie" that either Sarah or Linda tells herself as a defense mechanism against intense racial tension and strict gender roles. This format, along with alternating viewpoints, work well with the story. It's a beautifully written and compelling read; however, Lies takes on so many topics—racism, sexism, gender roles, homosexuality, child abuse—that the issues overwhelm an otherwise strong plot. There is frequent use of racial slurs and the "n-word," but it is true to the period. For another school integration story of female friendship for younger readers, recommend Kristin Levine's The Lions of Little Rock (Putnam, 2012).—Leigh Collazo, Ed Willkie Middle School, Fort Worth, TX
An intelligent, daring novel, which will draw in readers with its inherent drama. Combining civil rights struggles of the 1950s and forbidden romance (an interracial, homosexual relationship), this is a fast-paced, compelling story. Main characters Sarah and Linda have strong, distinct voices. The two teens’ differing interpretations of events are fascinating, particularly in early chapters, before the girls have acknowledged their mutual attraction. It’s also thought provoking—if uncomfortable—to glimpse Linda’s racist ideas, which elucidate attitudes of the era. Sarah and Linda are complex and exhibit increasing bravery, open-mindedness, and self-reflectiveness as the narrative progresses. Though Linda starts off as an oppressor, she’s willing to listen to Sarah’s point of view, and she ultimately rejects her father’s racist beliefs. Sarah, for her part, struggles to square her religious convictions with her sexual orientation (and ultimately succeeds). Robin Talley honestly portrays the brutality that black students faced when integrating schools. The book’s stark realities may inspire discussion about how race relations have (or haven’t) changed. The Virginia setting highlights the intense efforts to avoid desegregation: in many regions the state simply closed public schools instead of complying with the law.
In 1959 Virginia, an African American star student, Sarah, and her peers navigate racism and bigotry in the white high school they are desegregating. Amid battles for respect, Sarah befriends Linda, daughter of a vocal racist, and the two learn that their families are actually more alike than different. A plot twist regarding their friendship adds greater depth to the well-written historical story.

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