Gr 9 Up—Prince knew from an early age that she was not a typical girl. The only pictures of her in a dress were from when she was a baby and could not protest. She hates dresses and all things "girly." Fortunately, she had supportive parents who did not force her into traditional gender roles and who let her wear the kinds of clothing she wanted. Most of Prince's friends were boys, and her fantasies and playtime were devoted to being a hero, not a princess. Her wardrobe choices made her the target of ridicule and bullying in Boston and in Santa Fe, where her family moved when she was in early elementary school. In their first neighborhood, most of her friends were boys, but she found some girlfriends after the family moved. It was the first time she found girls with similar interests in comics and
Ghostbusters, and it was also when she realized that she did not want to be a boy but, rather, wanted the freedom that came with being one. Meeting a good friend of her mother's, who encouraged her talent and interest in comics, and transferring to a very small, highly experimental high school helped her become comfortable with her choice as a tomboy. Although Prince has created a work that will affirm the choices of tomboys, the black-and-white illustrations show little variation among characters, and the text is sometimes difficult to read. The chronology is also confusing, as Prince often jumps from childhood to adolescence in the space of one frame and then jumps back to childhood again. Purchase where graphic novel memoirs are in demand.—
Suanne B. Roush, formerly at Osceola High School, Seminole, FLIn an often funny, sometimes painful, and sharply observed graphic-novel memoir, self-described tomboy Prince views her formative years through the lens of gender--or rather, society's rigid rules for gender conformity. Prince's honest voice and self-deprecating humor help make young Liz a sympathetic and relatable character. The simply rendered black-and-white panel drawings have an unpretentious quality, in keeping with the narrative tone.
"When you don't look or act like what everyone has been told is the norm, you get proverbially barfed on a lot." In an often funny, sometimes painful, and sharply observed graphic memoir, comics artist and self-described tomboy Prince views her formative years through the lens of gender -- or rather, society's rigid rules for gender conformity. Chronicling the evolution of her thoughts about her own identity -- "Maybe I am a boy..." -- Prince examines deeply ingrained cultural assumptions about the sexes. The narrative takes a satisfying shape, and Prince's honest voice and self-deprecating humor help make young Liz a sympathetic and relatable character. The simply rendered black-and-white panel drawings have an unpretentious quality, in keeping with the narrative tone. Prince's childhood and adolescent trials and tribulations will resonate with readers in general, but it's all compounded by her unwavering gender nonconformity. She's frequently humiliated and even bullied in elementary and middle school, but she comes through the tumult of puberty to find a community of like- and open-minded "misfits" and "dweebs" in high school (including a boyfriend) who share her interests in comics, punk music, and zines. More importantly, she discovers that tomboy and girl don't have to be mutually exclusive. kitty flynn
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