Gr 4–6—There is nothing quiet and self-conscious Anna Wong would rather do than lose herself in a book. Cheng weaves a simple story of how the child's inner world, built around the pages of books, shifts outward to include her family, a kind crossing guard, a widower, and a beloved teacher. Most of all, Anna gradually learns to open her heart to the joys and challenges of friendship. The writing is gentle and engaging. Cheng gives readers glimpses into the heart of a girl without the allure of action or adventure. The story doesn't need them. Readers are led to discover the extraordinary within the ordinary, and to witness how kindness can draw trust and create confidence in a hesitant child. Dialogue is natural and uncontrived. Details of Chinese culture are interwoven throughout the story. Anna's mother works hard to acquire English-language skills, learn to drive, hold down a job, and give her children the opportunity to learn Chinese. Her struggles contrast with those of her American-born Chinese husband. Anna's friend's sad tale of family breakdown is also a part of the story, and children experiencing similar difficulties will relate to Laura's grief and fear. Anna creates hand-sewn lunch bags, and she and Laura make bags for all the people who are special to them. (Instructions are on the book jacket.) Readers will not find chills and thrills in this book, but they will discover the value of empathy and compassion, and the rewards of tolerance and friendship.—
Corrina Austin, Locke's Public School, St. Thomas, Ontario, CanadaNine-year-old Anna, who always has her head stuck in a book, sometimes uses reading as a shield against social exclusion (of the specialized fourth-grade-girl kind) and her own lack of confidence. Cheng's telling is as straightforward yet sympathetic as her self-contained main character; Halpin's often lighthearted pencil-and-wash sketches both decorate and enrich this perceptive novel.
Before the first chapter begins, we already know something about narrator Anna Wang: she always has her head stuck in a book. Nine-year-old Anna reads for all the right reasons ("Soon I am with Sam [in My Side of the Mountain], hollowing out a stump to make my own little house"), but she also uses reading as a shield against social exclusion (of the specialized fourth-grade-girl kind) and her own lack of confidence ("her face looks friendly, but I don’t know her so I’m afraid to go over to the group. Instead I open my book and read standing up"). At school, Anna’s friend from last year, Laura, now hangs out with the popular girls; at home, Anna is ashamed of her mother’s English and fights with her about attending Chinese language school. But she keeps reading -- specific children’s books, from Leo Lionni’s picture book Little Blue and Little Yellow to Jacqueline Woodson’s Hush, which are integrated into the narrative. Sometimes a book helps illuminate Anna’s own life (as when thinking about My Louisiana Sky helps her feel less critical of her mother’s imperfections); sometimes a book is part of the external plot (as when Laura and Anna, beginning to be friends again, dress up as Little Blue and Little Yellow for Halloween). As the year progresses, once in a while Anna even puts a book down. Cheng’s telling is as straightforward yet sympathetic as her self-contained main character; and Halpin’s often lighthearted pencil-and-wash sketches both decorate and enrich this perceptive novel. martha v. parravano
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