The Midnight Children

Gr 4-8–Ravani is a lonely kid in Slaughterville, a town well known for its meat processing plant and little else. Virginia is a seemingly sullen girl with a passel of siblings who sneak into town under the cover of night and set up camp in an empty house near Ravani’s. So begins Gemeinhart’s moody, magnificent novel. A Stephen King–esque blend of the sentimental and sinister flows through the story—alleyway bullies, creekside confidences, a villain known as the Hunter with fingernails sharpened to points, and a breathtaking chase through the slaughterhouse’s killing floor. The Hunter is in pursuit of Virginia’s ragtag family, seeking the reward for their return to an equally sinister orphanage. However, as the story unravels, it’s clear that the roving band of self-proclaimed Ragabonds are fine, functional, and perhaps a bit magical, living on their own. Their loving embrace of Ravani challenges his bleak view of his situation, and the powerful connection he forms with Virginia helps them both embrace their best qualities and become better together. Gemeinhart’s omniscient narrator features heavily in the text, with an almost hypnotic commentary about souls and choices, but his best work in this book is scene-setting, painting the small-town tableaux fit for any drama required of his tale. Ravani and the Ragabonds are coded as white.