FICTION

The Archived

322p. Hyperion/Disney. 2013. RTE $16.99. ISBN 978-1-4231-5731-1. LC 2012025485.
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Gr 9 Up—Mackenzie was just 11 when her Da passed along the heavy responsibility of being a "Keeper": one in charge of returning Histories to the Archive. A History is a sort of ghost, but more like a copy of a dead person's life. Librarians keep every History on a shelf, in a complex and rigid order. But every once in a while one slips (becomes restless and crazed) and escapes the orderly Archive into the chaos of the Narrows-a lightless series of corridors filled with doors. A Keeper's role is to return the Histories to the Archive lest they escape into the real world. When her family moves to an old hotel turned apartment building called the Coronado after the tragic death of her beloved little brother, Mac's workload of wandering Histories begins increasing exponentially. Plus, she meets a strange-looking Goth guy named Wes who shocks her by confessing that he, too, is a Keeper, and she begins to bond with him. Soon the ordered quiet of the Archive is booming with the noise of escaped Histories, and there appears to be a saboteur. Mac uncovers a dark secret held in the walls of the Coronado. Something terrible happened there and great lengths have been taken to cover it up. Stranger still is Owen, whom Mac encounters in the Narrows, a History who is not on her list and somehow has not yet slipped. Schwab skillfully manages that rare accomplishment: a spine-tingling, supernatural, ghostly mystery that is fully believable. A writer to watch for sure-sequel please!—Tara Kehoe, Plainsboro Public Library, NJ
The Archive is a haunting and richly imagined place—from its quirky and knowledgeable Librarians, to the sad, dead people Mac must return to the shelves, to the way it exists in another dimension connected to our own. Interspersed throughout this action-packed novel are poignant flashbacks to Mac’s grandfather, who taught her to be a Keeper. With perfect pacing and strong writing, Victoria Schwab draws readers deeper and deeper into this strange world. For example, as a Keeper, Mac has the power to feel people’s thoughts. She describes the difference between being touched by her mother and being touched by someone from the Archive, saying, “Librarians are pros at walling off thoughts, blocking out touch. Mom touches me and I can’t keep her out, but Roland touches me and I feel blind, deaf, normal.” Mac is fascinated by Owen, a dead boy who has escaped his shelf but for mysterious reasons seems immune to the laws of the Archive. Her decision not to let the relevant authorities know about him adds danger, romance, and suspense to the story. The book’s delightfully creepy atmosphere is lightened by Mac’s good sense, and by the comedy of her family, who renovate their new coffee shop, oblivious to the danger that surrounds them as Mac passes back and forth between their world and the Archive.
Mackenzie is a "Keeper"; her job is to return the wakeful dead (or "Histories") to the Archive, a repository of all human memory. Persuading the dead to return to their rightful resting place often involves kick-ass combat, but never so much as when Mac's family moves to an apartment in an old hotel. Suddenly, the Archive experiences a rush of escaped Histories, and it's no longer the silent domain it should be -- nor is Mac, grieving the loss of her younger brother, as dispassionate as she once was about the dead. This is no common policing-the-supernatural romantic thriller: Schwab's image of the Archive and its Librarians is both poignant and intellectually piquant, a suggestion that the repository of human memory goes beyond personal loss and is central to human culture. She writes of death, sorrow, and family love with a light, intelligent touch and inventive vigor, and provides romance with a pleasing edge of unpredictability. It isn't often that lines from Dante's Inferno make their way into supernatural thrillers for teens, but they do here -- and to good effect. deirdre f. baker

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