Gr 9 Up—The dystopian adventure that began in
Breathe (Greenwillow, 2012) comes to a mediocre conclusion. In the continued effort to find freedom for all citizens, a steadfast group of survivors are fighting two forces: a government within the domed city which regulates the air citizens breathe, and rebels outside the city. The same cast of characters returns, though there is new emphasis on Ronan, the government warrior turned rebel. His point of view alternates with those of freedom fighter Alina, privileged outcast Quinn, and empathetic Bea. Readers will require a lasting memory of Breathe or need to reread it before attempting the sequel, as many characters and plot nuances are not fully explained. In a turn of events worthy of a soap opera, the psychotic rebel leader killed off in the first book turns out to have an equally crazy sister who leads another faction of rebels. The heroes must once again escape the rebel enclave and save their people from an authoritarian government. Sprinkled amid action-packed scenes are a few stilted romances. Although the heroes are likable, the story feels forced and the pacing too quick, almost as if large pieces have been left out. Purchase where the first book is popular, otherwise, heed the title and resist.—
Cindy Wall, Southington Library & Museum, CTIn this sequel (and conclusion) to Breathe, the world is still perilously low on oxygen, and the have-nots are still slowly dying. Alina, Quinn, and Bea are still trying to save themselves--and perhaps the world if they can survive. Crossan effectively portrays hope as a feral, desperate thing that fuels the book's romances, betrayals, and alliances.
In this sequel (and conclusion) to Breathe (rev. 11/12), the world is still perilously low on oxygen, and the have-nots are still slowly dying. Alina, Quinn, and Bea, all of whose lives changed dramatically since Quinn and Bea were cast out of their protective dome dwellings, are still trying to save themselves--and perhaps the world if they can survive. This is a planet that is seriously in trouble, even more so now that the beautiful grove of trees, a symbol of a chance for recovery in the first volume, is gone. Crossan effectively portrays hope as a feral, desperate thing that keeps people fighting against oxygen depletion to remain alive and that fuels the book's romances, betrayals, alliances, and battles. The conclusion is tragic yet cathartic, a fitting end to a complex story set in a fraught world. april spisak
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