Gr 8 Up—Traditional folk and fairy tales collide with feminist observations of modern beauty and hygiene culture in this compilation of 50 free verse and easy to read poems. Each one grapples with the state of femininity with caustic wit, heavy with criticism. Readers will also be treated to moody and eye-catching artwork that complements the poems perfectly. The accessibility of the poems coupled with the striking book cover and photos will appeal to a wide range of readers. The poems should spark interesting questions and insights for contemplation about obtaining a pop culture-derived, air-brushed perfection. One weakness is a failure to consider diversity in femininity; more feminine readers might find the poems slightly insulting because of a tone of disdain toward beauty culture. Overall, however, this is an engaging and enjoyable volume.—
Mindy Whipple, West Jordan Library, UTThis collection comprises fifty poems on the devastating conjunction of girls' vulnerability, the rapacious beauty industry, and fairy tales. Caustic, witty, sad, and angry, Heppermann articulates the false promises, seductions, and deathly morass of popular culture's imagery of girls' bodies. What makes Heppermann's poetry exceptional, however, is not the messages it carries but the intense, expressive drive that fuels it.
For this poet, there is no dividing line between fairy tales and reality: "You can lose your way anywhere," claims the poem with which she begins this collection of fifty pieces on the devastating conjunction of girls' vulnerability, the rapacious beauty industry, and fairy tales. Caustic, witty, sad, and angry, Heppermann (a former Horn Book reviewer) articulates what some of her readers will no doubt perceive already but what may be news to others: the false promises, seductions, and deathly morass of popular culture's imagery of girls' bodies. What makes Heppermann's poetry exceptional, however, is not the messages it carries but the intense, expressive drive that fuels it. In "The Anorexic Eats a Salad": "Mountains rise, fall, rise again. / Stars complete their slow trek into oblivion. / A snail tours the length of China's Great Wall / twice. / All those pesky cancers--cured...She has almost made it through / her first bite." Or, in "The Wicked Queen's Legacy": "It used to be just the one, / but now all mirrors chatter. / In fact, every reflective surface has opinions / on the shape of my nose, the size / of my chest..." These poems dwell fiercely and angrily within the visual and verbal cacophony heard and seen by girls, offering an acerbic critique, mourning, and compassionate, unrelenting honesty. deirdre f. baker
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