Gr 2–4—In this captivating story, Claude Monet writes a letter to his fiancée, Alice. He has traveled to Étretat, a seaside resort overlooking the English Channel, where he has an adventure on the rocky shore while painting the imposing stone arch, Manneporte. Hurrying to capture the scene on his canvas before the light changes, he pays little attention to the tide. Suddenly, a giant wave rains water down on him and he is knocked off his feet. The sea swallows him and he tumbles "like a shell against the bottom of the ocean." Finally, he lands back on the beach, where he gasps for breath, but his painting, easel, and stool have been lost. Bowing to the power of nature, he trudges back to the hotel "where dry clothes, a warm fire and a soothing cup of tea await." Undaunted, he resolves to "be back again tomorrow." Danneberg captures this brief moment in the French artist's life. Her careful word choices ("swirls," "shimmering," "ruffle," "dab," "glittering") mirror Monet's artistic style, and the images she paints are as lovely as Heimerl's watercolors. The impressionistic illustrations illuminate the first-person narrative, re-creating Monet's day at the beach in a palette of delicate pastels. The text is supplemented by factual notes on each page, as well as appended notes about Monet's career and painting technique. Pair this title with Christina Bjork's Linnea in Monet's Garden (R & S Bks., 1987).—Linda L. Walkins, Mount Saint Joseph Academy, Brighton, MA
Based on a true event, Danneberg weaves a story about Claude Monet painting on a rocky beach. Like the artist's style, the lyrical text is loose and impressionistic, but it's supported by caption boxes with biographical and historical facts. Heimerl's watercolors successfully mimic Impressionist paintings. An author's note provides more background, and back matter on technique further relates Monet's skills and processes. Bib.
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