FICTION

I, Galileo

illus. by author. 40p. bibliog. chron. glossary. websites. CIP. Knopf. 2012. Tr $17.99. ISBN 978-0-375-86753-8; PLB $20.99. ISBN 978-0-375-96753-5. LC 2011025100.
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Gr 3–8—Narrated by "the father of modern science"' himself, this exquisite picture-book biography conveys both the tragedy and triumph of Galileo's life's work. A preface describes what the world was like in 1564, opposite an illustration of the universe as Aristotle and Ptolemy believed it to be, with Earth at its center. The child of a musical theorist whose "revolutionary views challenged musical tradition and angered authorities," young Galileo learned to question accepted theories and think for himself. Christensen allows her subject to relate his story sequentially, also expounding on popular thought and detailing his experiments and discoveries. While Copernicus is credited for promoting the theory that the sun was the center of the universe 50 years earlier, it was Galileo who proved it. The inventor of the geometric and military compass, a telescope that revealed the heavens, a microscope, and a pendulum clock kept quiet for seven years, but when he dared to publish his findings, he was condemned for heresy and sentenced to imprisonment in his own home for the rest of his life. A chronology of Galileo's life as well as of important events in his world, a description of his experiments, and lists of his inventions and discoveries are appended. The vibrant illustrations were created with a gouache resist and oil paints, outlined in black and resemble stained glass. The first-person narration renders the text both engaging and accessible; charts, diagrams, and thumbnails explicate the science. Libraries that already own Leonard Everett Fisher's Galileo (Atheneum, 1992) or Peter Sís's Starry Messenger (Farrar, 1996) will still want this accomplished volume.—Barbara Auerbach, PS 217, Brooklyn, NY
More straightforward if less individual than Peter Sis's Starry Messenger, this is an excellent introduction to the scientist. The illustrations not only give geographical and historical context for Galileo's ideas and experiments but also convey the arc of the narrative. Diagrams illustrating some of Galileo's key concepts are clear and executed in a harmonious style. Bib., glos., ind.
Narrating from his house arrest in Arcetri, the elderly Galileo Galilei looks back at his life, from being the "center of my parents’ universe" to the trial before the Inquisition for his heresy in proposing that the Earth revolved around the sun. True to the spirit of the book’s title, Galileo is not at all bashful about his accomplishments: "Yes, my compass was an extraordinary success, but nothing compared to what was to come." The illustrations, confidently bordered in textured black lines, not only give geographical and historical context for Galileo’s ideas and experiments (the two unequal balls dropping at the same rate from the tower of Pisa, for example) but also convey the arc of the narrative, with Galileo’s trial portrayed in a perfect circle surrounded on all sides by storm-cloud-blue paint, and the subsequent picture of his imprisonment showing him in resigned contentment in his garden under a twilight sky. Diagrams illustrating some of Galileo’s key concepts are clear and executed in a harmonious style. More straightforward if less individual than Peter Sís’s Starry Messenger (rev. 1/97), this is an excellent introduction to the scientist, and appends helpful information (chronology, lists of Galileo’s experiments and discoveries, a glossary, bibliography, and website directory) for readers inspired to further research. roger sutton

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