FICTION

Guitar Notes

July 2012. 266p. 978-1-60684-124-2.
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Two very different high school students discover a mutual appreciation for writing songs for the guitar. Tripp Broody has lost a lot; his father died and his best friend moved away. He doesn’t really connect with people, especially his nagging mother whose “help” isn’t much appreciated. In contrast, Lyla Marks is perfect. She gets good grades, her teachers love her, and she plays the cello beautifully. Things are not perfect, however, as both her best friend and father suffocate her with unrealistic expectations and adulation over her talent. Forced to share a music practice room on alternating days at school, Lyla leaves a heated note one day when Tripp doesn’t throw out his trash. This leads to a pen-pal-like exchange daily, and eventually in-person musical collaboration that promises to change both of their lives forever. Many chapters are structured as Tripp’s and Lyla’s notes, giving readers a unique vantage point into their burgeoning friendship. The teens find kindred spirits in one another, allowing them to develop lyrics for songs they write in a fluid and natural way. While the end of the novel has a bit of contrived tragedy, this is nevertheless a sweet story of two different loners finding their counterpoint.–Ryan P. Donovan, New York Public Library
Slacker guitarist Tripp and "perfect" cellist Lyla are completely different people. When they begin sharing a band practice room on alternating days they start communicating through (initially) passive aggressive notes. They eventually become friends and combine their talents to make music together. The deus ex machina ending circumvents real resolution, but the interesting premise will likely appeal to musicians.

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