FICTION

Gris Grimly's Frankenstein, or, The Modern Prometheus: Assembled From the Original Text by Mary Shelley in Three Volumes

adapt. by Gris Grimly. illus. by adapter. 208p. HarperCollins/Balzer & Bray. Aug. 2013. Tr $24.99. ISBN 978-0-06-186297-7; ebook $11.99. ISBN 978-0-06-223922-8. LC 2010046237.
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Gr 7 Up—Shelley's Frankenstein can be considered a lot of things; easy reading is not one of them. Grimly's version carefully strips down the original text, keeping only the bare bones of the story, and accompanies it with his comically gothic illustrations. From the Neo-Victorian clothing and emo hairdos to the steampunk backdrop of Victor Frankenstein's lab, Grimly's unique and twisted style blends perfectly with the material and breathes new life into these characters and situations. This graphic-novel format works exceptionally well during moments of dialogue, as readers can really see a range of emotions that would otherwise be lost through Shelley's dense language. Scenes that especially stand out have little or none of the borrowed text at all, relying only on the art to masterfully tell the story. However, some scenes are better fleshed out than others; it can be frustrating when large, unbroken paragraphs of Shelley's prose are presented with only one or two large drawings, and hardly anything is done with the various letters throughout the book. This can throw off the overall flow, but scenes involving Frankenstein's monster are fast paced, well executed, and help to restore the balance. Even with the adapted text and illustrations, this may still be a difficult read for some readers, but Grimly's beautiful and trim version is a great way to immerse a new audience in this important work.—Peter Blenski, Greenfield Public Library, WI
Adeptly "assembled from the original text," this graphic novel adaptation abridges Shelley's tale while staying true to its spirit. The inventive illustrations relocate Frankenstein and his creation to a goth-y, Tim Burton-esque time-out-of-time with a mix of modern, nineteenth-century, and steampunk sensibilities. A muted palette of sepia, gray, and olive tones is effectively punctuated by black, pinks, and purples, and, in more gruesome moments, bilious green. Grimly makes excellent use of his format with dynamic shapes, sizes, and pacing of panels; the novel's epistolary sections have an elegant (if difficult to read) handwritten look. katie bircher

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