FICTION

Ghoulish Song

176p. S & S/McElderry. Mar. 2013. Tr $16.99. ISBN 978-1-4424-2729-7; ebook $9.99. ISBN 978-1-4424-2731-0.
COPY ISBN
Gr 5–8—In this companion to Goblin Secrets (S & S, 2012), Kaile works hard in her parents' bakery/alehouse in a river city. On Inspection Day at the bakery, she allows a goblin and his troupe to perform in the public room and is given a bone flute. When she plays the instrument, she is separated from her shadow. No shadow, no life, according to her culture, and, despite her protests, there is a funeral for her the next day. Ostracized by family and community, Kaile leaves home, with Shade at her side. The city of Zombay is an odd place filled with Rock Movers, who lose appendages doing their work and replace them with makeshift metal parts, goblins that supposedly steal children and turn them into ghouls, and a host of other strange characters. There is a dark edge to this tale, and death seems very close. The story of redemption is what gives this book its appeal, with the strange characters and places more of a distraction than an asset. Some of the situations are, well, ghoulish; Kaile visits a Reliquary, a repository for bones, many of them human, and discovers that her flute is made of a young girl's femur. At times comic, at times creepy, this unusual tale winds its music around readers' hearts.—Kathy Kirchoefer, Henderson County Public Library, NC
With no preamble, Alexander plops the reader right in the middle of Zombay, the setting of his National Book Award-winning Goblin Secrets. Neither a prequel nor a sequel, this tale is more of a companion piece, clearly proving that "there's always more than one story unfolding at once in a city." That city contains perhaps too many unexplained characters, such as Guards with gearworks substituting for body parts, ghouls, and the Changed (changeling imps), but the novel's familiar quest format allows readers to ignore the underdeveloped world-building and follow the thread of the story. When a goblin gives young Kaile a bone flute, she begins to play a song, one so powerful that her shadow, a.k.a. Shade, separates from her, a sure sign to her family that Kaile is dead -- though she isn't. Kaile must seek the origins of the flute bones before she can reunite with Shade. Although many characters populate these pages, only Kaile is fully realized, her development evident in the light but sometimes caustic banter between her and Shade. Their journey receives context as it culminates with a brief but deft description of the power of music that, played in concert, is able to "reshape the world" just as language does with its Zombayian "charms and curses." betty carter

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