FICTION

From There to Here

illus. by Matt James. 36p. Groundwood/House of Anansi. May 2014. Tr $18.95. ISBN 9781554983650.
COPY ISBN
K-Gr 3—This continuation of the author's I Know Here (Groundwood, 2010) contrasts the experiences of a girl who had been living in the wilds of Saskatchewan with those of her new life in Toronto. Her father's work in construction has brought about the move, and the stark differences in lifestyle drive the narrative: "There. We lived on a road…A road without a name. Here. We live on a street…Birch Street. I don't see any birch trees." There is a nostalgic tone to the spare text, as the girl recalls living in a trailer surrounded by nature's majesty and playing with the other workers' children who "traveled in a pack—all the kids, so long as we could keep up." Living in the city means asphalt and locked doors and streetlights dimming the stars, all factors that make the move more unsettling. The book can be read one its own but clearly works best as a companion title, for without its predecessor the girl's former life loses some of its emotional heft. For example, one needs to know that she was the only third grader in her one-room school in order to fully appreciate the neighbor Anne, who meets the moving truck the afternoon, they arrive and announces that she, too, is "Eight, almost nine." As in the first book, expressionistic acrylic and ink illustrations add depth to the story, as do the marvelous endpapers depicting a map of central Canada. A satisfying sequel to I Know Here.—Teri Markson, Los Angeles Public Library
In I Know Here, the narrator knows she and her family will soon be leaving their Saskatchewan home for the city, and in this sequel, so they do. The palette of the Toronto scenes is predominately blue-sky sunny, reflecting the story's ultimate optimism (events include finding a friend), although the wild dark colors of the forest continue their hold on the girl's memories.
In the Boston Globe-Horn Book Award-winning I Know Here (rev. 5/10), the young narrator knows she and her family will soon be leaving their home in the glorious wilderness of Saskatchewan, and in this sequel, so they do. The Toronto of the book's era (early 1960s) might look positively quaint to us, but to the girl it is completely exotic. "There" she lived on a gravel road without a name; "Here" she lives on the well-paved Birch Street. "There": the aurora borealis; "Here": "street lamps in a straight row." But just when you think the book is a paean to the forest primeval, in comes new neighbor Anne, "eight, almost nine" just like the girl, who back in the bush had no friend her own age. The palette of the Toronto scenes is predominately blue-sky sunny, reflecting the story's ultimate optimism, although the wild dark colors of the forest continue their hold on the girl's memories and in James's paintings, where images of moose and pine trees rest matter-of-factly within the confines of the girl's new house on Birch Street (birchless, by the way). While the bike helmets on Anne and our girl are more than a touch anachronistic, we know that the ride begun at the close of the book promises both amity and adventure. roger sutton

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