FICTION

Charley's First Night

October 2012. 32p. 978-0-76364-055-2. 15.99.
COPY ISBN
K-Gr 2–This comforting, sweet story of a puppy’s first night in his new home is simply told and as warm and cozy as a blanket. When Henry Korn finds Charley one snowy evening, the little boy just knows that the pup wants to go home with him. His parents capitulate to their son’s desire to keep the dog, making sure he knows that the puppy is his responsibility. Although Charley wants to sleep in Henry’s room (says Henry), Mr. Korn gently affirms that the animal will spend the night in the kitchen. Henry is tender and loving toward his new charge, and children who have looked after their family pets will see a bit of themselves in the protagonist. During the night the puppy cries, and his young master dutifully looks after him, stopping at his parents’ bedroom only to find them sound asleep. Of course, Charley ends up in Henry’s bed, but who could look at such a compatible pair and be angry? The pencil and watercolor illustrations are set within soft, muted frames. From Charley’s adorable face and poses to Henry’s mother’s reflection in a mirror as she looks at the pair asleep, the pictures have a timeless quality and beautifully complement the story.–Alison Donnelly, Collinsville Memorial Public Library, IL
Young Henry agrees to his new puppy Charley sleeping in the kitchen "forever." His parents are "pretty clear" about this, though Henry and Charley disagree and--not surprisingly--are both in Henry's bed by night's end. Henry's forthright account is extended by subtle details in Oxenbury's art. An unsentimental, yet adorable, recasting of an ever-reliable theme.
As young Henry Korn tells it, adopting a puppy is a simple process: he names the dog Charley, carries him home, shows him around, agrees to feed and walk him, and also agrees to Charley sleeping in the kitchen "forever." His parents are "pretty clear" about this, though Henry and Charley disagree and -- not surprisingly -- are both in Henry's bed by night's end. Henry's forthright account is extended by subtle details in Oxenbury's art. Henry cradles the pup he's found like a baby on the snowy walk home; Charley's unmentioned piddles explain Henry's parents' firmness; the little boy's nightlong comforting of his lonely, affectionate new friend is a model of loving parental behavior; and Mrs. Korn's discovery of the two together in the morning -- she's neither vexed nor much surprised -- appears only dimly in a mirror -- the important thing is the happily sleeping pair. An unsentimental, yet adorable, recasting of an ever-reliable theme. joanna rudge long

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