PreS-K–In this cozy alphabet/bedtime hybrid, a mother tucks her reluctant child into bed, offering examples of how other animals prepare for sleep to convince her little one to doze. The story begins and ends with the mother speaking in soothing rhyming verse; her alphabetized descriptions of “the awake animals getting sleepy” are non-rhyming but mostly alliterative, e.g., “Cat’s curled up on a crimson couch cushion.” Full-page watercolor and ink illustrations in soft, muted colors depict mildly stylized, drowsy animals (generally one, but sometimes two or three per letter). The large cursive capitals fit well into the overall design of the pages, noticeable but unobtrusive. With dozens, if not hundreds, of other alphabet books out there (including previous alphabet books by Dragonwagon and McPhail), it might be difficult to find room for one more, especially in smaller collections; however, if you are looking for new additions, this one is quietly pleasant.–Yelena Alekseyeva-Popova, formerly at Chappaqua Library, NY
From antelope to zebra, animals prepare for the night and gently succumb to slumber in alliterative prose ("Rabbit relaxes into restful repose, dreaming of ripe red radishes"). It's all depicted in twilight and moonlit tones in McPhail's signature style, as cuddly animals with amiable expressions drift off to dreamland, and a sleepy human child is tucked in.
"My little one, lay down your head. / It's time to doze, it's time for bed," chants the motherly woman tucking in a wakeful child at the outset of this drowsy-animal alphabet book. "Even all the awake animals are getting sleepy": from antelope to zebra, each prepares for the night and gently succumbs to slumber in alliterative prose ("Rabbit relaxes into restful repose, dreaming of ripe red radishes"). Sometimes multiple animals are featured (Swan, Snake, and Sloth fill a spread), but more often there's just one per letter ("Turtle's tired, and turns in"). X doesn't get its own animal; instead, Y's yawning yak is "expecting an exceptionally excellent night's rest." It's all depicted in twilight, moonlit tones in McPhail's signature style, as cuddly animals with amiable expressions drift off to dreamland while the lullaby concludes and the now-sleepy human child is tucked in. "And since you have a cozy bed, / a pillow for your dozy head, / with no more why and not one how / might you, like them, start sleeping now? / Ssssh…sssssh…ssssshhh." And so to sleep. joanna rudge long
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