Sabotage: The Mission To Destroy Hitler's Atomic Bomb

This young readers' edition of The Winter Fortress focuses on a single, crucial Allied operation of WWII: the disruption of the Nazis' atomic program by eliminating their supply of heavy water. There is much information to process, but Bascomb admirably balances dramatic tension and context throughout. Appended with archival photographs and a wealth of back matter. Bib., ind.

In this young readers' edition of The Winter Fortress, Bascomb (The Nazi Hunters, rev. 9/13) turns his attention to a single, crucial Allied operation of WWII: the disruption of the Nazis' atomic program by eliminating their supply of heavy water. Bascomb opens with a suspenseful prologue in which nine commandos ski through Nazi-occupied Norway in the dead of winter, getting their first sight of their target, the remote, seemingly impregnable factory at Vemork. "High on the icy crag, its dark silhouette looked like a winter fortress." Bascomb then backtracks, describing the Nazi invasion of Norway and the Resistance movement that opposed it; the basics of the German atomic program and the properties of heavy water that were necessary to its development. He introduces and then follows each member of the coordinated missions intent on destroying the heavy water: Grouse, which set up the initial camp near Vemork; Gunnerside, trained to attack the factory; and later, the team that sank a passenger ferry transporting heavy water to Germany. There are many names to keep straight and much information to process, but Bascomb admirably balances dramatic tension and context throughout. We hold our breath to see if the ferry bombing is successful, but we are also confronted with the ethics of sacrificing civilian passengers' lives. Sabotage will find its place in a growing body of narrative nonfiction centering on military and political history, including Sheinkin's Bomb: The Race to Build-and Steal-the World's Most Dangerous Weapon (rev. 11/12), of which this operation forms one strand. Appended with archival photographs and a wealth of back matter: an author's note, an extensive bibliography, an index (unseen), and, most notably, twenty-one pages of source notes. martha v. parravano